Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Study for Edmono Duranty oil painting


Study for Edmono Duranty
mk194
Painting ID::  49196 		Edgar Degas
Study for Edmono Duranty
mk194
   
   
     
Edgar Degas Singer with a Glove oil painting


Singer with a Glove
mk194 c.1878
Painting ID::  49197 		Edgar Degas
Singer with a Glove
mk194 c.1878
   
   
     
Edgar Degas Half-Langth Study of a Woman oil painting


Half-Langth Study of a Woman
mk194 c.1890
Painting ID::  49198 		Edgar Degas
Half-Langth Study of a Woman
mk194 c.1890
   
   
     
Edgar Degas Arter the Bath,Woman Drying her Hair oil painting


Arter the Bath,Woman Drying her Hair
mk194 c.1893-98
Painting ID::  49199 		Edgar Degas
Arter the Bath,Woman Drying her Hair
mk194 c.1893-98
   
   
     
Edgar Degas Head of a Man oil painting


Head of a Man
mk194 1858
Painting ID::  49200 		Edgar Degas
Head of a Man
mk194 1858
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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